Summary of Recruitment Schedule　Residency StartDate : Jan, 2027　・Status : Accepting applications

１month Artist in Residence Program

Summary of Recruitment Schedule

Residency StartDate : Jan 16, 2027　

(The start date can be slightly adjusted to accommodate your schedule.)

・Status : Accepting applications

Winter in Kanazawa: January in Kanazawa brings cold, snowy days, but it also offers a unique, serene atmosphere perfect for deep focus on your craft. We will provide full support to ensure you have a comfortable and productive stay.

Program Fees

Single Participant: 600,000 JPY(+tax 10％)

Pair Participants (Both receiving training): 1,000,000 JPY(+tax 10％)

Note:

Includes: Accommodation, basic materials, and use of traditional tools.

Note: Additional costs will apply if you wish to purchase specialized materials or personal sets of tools. We will provide a custom quote upon request.

If you have an accompanying guest who does not require training, They may stay with you at no additional cost.　(Only 1 person)

Note:

・Initial Deposit (50%) Due : Within 1 week of contract signing

・Final Balance (50%) Due : Dec 16, 2026

Since there are necessary preparations, please sign up for your module at least t３months in advance.

Please note that once this two-month window begins, a cancellation fee will apply as I will have already started preparing for your session.

Important Notes

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About the inquiries

TOSHIHARU SAKAGAMI

Artist Profile
Born in 1984 in Chiba, Japan.
My artistic journey began with the study of Murakami Kibo Tsuishu (traditional lacquer wood carving) in Niigata. Seeking to deepen my mastery of wood carving, I apprenticed for five years under a master sculptor of Inami Chokoku—a highly prestigious traditional craft from Toyama.
In 2009, I established my independent studio in Kanazawa, a city renowned for its rich artistic heritage.
My practice focuses on creating Buddhist sculptures for temples and private collectors, producing over 20 commissioned works annually, including intricate deities and auspicious figures such as the Seven Lucky Gods and dragons.
In addition to new creations, I am dedicated to the preservation of cultural heritage, specializing in the restoration of Buddhist sculptures damaged by time or natural disasters.
Through my work, I strive to bridge the gap between ancient traditions and the contemporary world, breathing life into wood within the historic atmosphere of Kanazawa.
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